Interview With Conscious Artist and Lyricist Kyle Knight!

kyle knightConscious lyricist, rapper, producer, and businessman, Kyle Knight, is aware that art with heavy material pushes people away sometimes, however, he believes creating art that tackles serious issues is for the betterment of the masses. Knight has discussed topics involving social issues, misogyny, domestic abuse, and political corruption. “I feel that it makes us stronger as a people,” he explained to So Booking Cool. “Not only that, but it grows our consciousness level as people too. And I feel that when you have a good artist, such as myself, and you have good lyrics and good production, and you’re able to make [the social issue] as relevant as possible, then you know you’re in the winning seat.”

Knight’s musical roots played a part in his becoming active in music at the age of seven. In his family’s home recording studio, Knight’s father started him off with production, which sparked a passion for songwriting as well. When it comes to musical influences, James Mtume, Tupac, Nas, and Common are among the names he cites as artists who he believes successfully address social issues. He also admires Bruno Mars for being an artist who refuses to let himself be defined by a specific genre.

When it comes to his advice for those looking to work in the music business, Knight believes in individuality and finding ways to advance old trends. “The sky’s really your limit,” he added. “What I tell the listeners out there is to not be afraid of sacrifice, not to be scared of rejection. Understand that it is a process and you’re not gonna come out an overnight success; you are not gonna come out on Drake’s level overnight. It really takes a ladder to climb and it really takes a road to walk down. It is a marathon, not a sprint.”

Listen to the interview to learn more about Knight, The Truth Chronicles, the positive reception to his single “Hey Sister,” his love for books, music publishing, his thoughts on conscious artists getting accused of “selling out,” and more! For more information, check out Knight’s official website.

Interview With Mathew Knowles About “The Emancipation of Slaves Through Music” and more!

mathew knowlesFront-Cover-Emancipation1800Mr. Mathew Knowles, entrepreneur, record label executive, music mogul, professor, speaker, and bestselling author, recently visited So Booking Cool in support of his new book The Emancipation of Slaves Through Music. While we had the pleasure of gaining some insight about the book months earlier when Mr. Knowles first chatted with us in promotion of his memoir Racism From the Eyes of a Child, our conversation with him this time around reached greater levels.

Our discussion extended beyond how slaves shaped music and vice versa and the compelling research Mr. Knowles and his students found when co-writing The Emancipation of Slaves Through Music; we discussed images in music, particularly pertaining to female artists, in which Mr. Knowles notes that this does not occur in gospel music; who ultimately decides the concepts for artist’s music videos; why Mr. Knowles believes music will become increasingly and entirely visual;  the diversity of the Music World brand; his plans to tell his life story on the screen, as well as his approach to Destiny’s Child: The Untold Story, in which the mogul asserts that no one really knows what went into the music group; his interesting take on “culture vultures”; his public relations book; and a lot more!

Listen to the full interview below and check out the time stamps for select portions. For more information, visit Mr. Knowles’ official website.

Review: “What Truth Sounds Like” by Michael Eric Dyson

what the truth

WHAT TRUTH SOUNDS LIKE: RFK, JAMES BALDWIN, AND OUR UNFINISHED CONVERSATION ABOUT RACE IN AMERICA, Michael Eric Dyson. St. Martin’s Press, $24.99 (294p) ISBN-13: 978-1-250-19941-6
Publication date: June 5, 2018

An Acerbic Truth. A Bold Truth. An Encompassing Truth. An Unsettling Truth. A Disruptive Truth. A Troubling Truth. A Terrible (or Terrifying) Truth. A “Truth” Truth (Ruth).

Dr. Michael Eric Dyson’s latest—just happens to be his greatest (book that is). In what is a defining moment in his authorship and critique about all things “race” in America, Dr. Dyson utilizes the full power of his protruding arsenal of words, incalculable intellect, and asymmetrical compulsion for expressing complexity using simplicity as well as simplicity using complexity to tell an unfiltered, uncomfortable, uncompromising truth: An Acerbic Truth. What Truth Sounds Like: RFK, James Baldwin, and our Unfinished Conversation about Race in America is an alarming but astonishing, disturbing yet defining, and exhausting while exhilarating literary spectacle that uses a meeting between then-Attorney General Robert F. Kennedy and James Baldwin et al (in May of 1963) as a backdrop to contextualize the current racial climate in America.

Dyson “slices and dices” and “fishes and dishes” an inconvenient, almost mean-spirited, occasionally cryptic, bushel of truth with a perfect admixture of edge and eloquence. Politicians, Artists, Activists, Intellectuals, Crackers, and Bad “Niggers” (one of the chapter titles) beware. Dyson dares to spare no one; not friend, or foe, or historic figure, or president. If you are in his analytical or conjectural line of fire, be prepared to be assailed with verbal projectiles. This book is not for the faint of heart.

Dyson lays the groundwork by recounting the events that led to this historic meeting and provides a brief bio of the major players involved (i.e., Robert F. Kennedy, James Baldwin, Lena Horne, Dr. Kenneth Clark, Lorraine Hansberry, and the only surviving “witness” amongst the aforementioned, Harry Belafonte). However, the most compelling figure in attendance was probably the least known, Freedom Rider Jerome Smith, who did not mince words. When Kennedy intimated that Blacks shouldn’t listen to the incendiary “lyrics” of the Nation of Islam and Malcolm X because that could spell trouble, Smith said, “You don’t have no idea what trouble is,” and that’s when the meeting went downhill—or uphill (depending on your perspective) from that point.

In the succeeding chapters, Dyson uses his verbal scalpel to dissect and his barrister-esque elocution to build a case for the final chapter, “Even If: Wakanda. Forever,” which is arguably Dyson’s most powerful utterance ever. I would humbly suggest the reader to begin by reading the final chapter first to enhance the experience and to better appreciate Dyson’s indomitable genius.

At nearly 60 years old, one can sense as Dyson transitions from “old head” to “elder” that What Truth Sounds Like, is a precursor for what will be his greatest works, which will undoubtedly happen post-Trump. But for now, What Truth Sounds Like, is a Wake-up call for the Woke which is why this book is minimally 25 years ahead of its time.

Thus far, we have only “witnessed” Dyson’s intelligence; his wisdom has yet to be realized—and it is as imminent as our mortality. And, as imminent as his reconciliation with his teacher-mentor-friend-brother: Dr. Cornel West. And that’s an Acerbic Truth, Ruth.

Reviewed by Professor Clifford Benton

Interview With Michael Bush, Author of The King of Style: Dressing Michael Jackson! [Part 1]

FullSizeRender (1)Michael Bush, the costume designer who dressed legendary entertainer, Michael Jackson, for 25 years talked to So Booking Cool about his book, The King of Style: Dressing Michael Jackson. The book was published by Insight Editions, a publisher that specializes in quality illustrated books that tribute cultural milestones in entertainment, history, and the arts–which is exactly what King of Style offers. Whether you are an avid Jackson fan or a casual one, an aspiring designer or stylist, fashion aficionado, and/or a pop culture enthusiast, this title is definitely for you.

Listen to part one of our exclusive interview with the humble Bush to learn how King of Style came about, how he worked as a team with the late Dennis Tompkins to create Jackson’s iconic fashions (including the “Smooth Criminal” lean-in shoes) the response Bush receives from other artists about his designs, and, of course, how it was working with and for the Gloved One, and more!